![]() Solo and group exhibitions include LAFORET Museum, Tokyo (1987) The Museum at FIT, New York (1988) Musée des Arts Decoratifs Palais du Louvre, Paris (1994) Modemuseum, Munich (1995) MUDAC, Lausanne (1996) Royal College of Art, London (1997) Design Museum, London (2010) Palais de Tokyo, Paris (2011) The Metropolitan Museum of Art, New York (2014) El Museo del Barrio, New York (2016) The Getty Center, Los Angeles (2018) Centro Cultural de Cascais, Portugal (2019) Fondazione Sozzani, Milan (2019) Nottingham Contemporary, UK (2020) The Andy Warhol Museum, Pittsburgh (2020) and The Brooklyn Museum, Brooklyn (2020). ![]() Antonio and Juan died from complications related to AIDS in 19, respectively. ![]() His commercial career flourished, and he expanded his oeuvre, guest editing two issues of Andy Warhol’s Interview Magazine, consulting for Fiorucci, designing textiles for Japan, and publishing two books: Antonio’s Girls (Congreve, 1982) and Antonio’s Tales from the Thousand and One Nights (Stewart Tabori & Chang, 1985). regarded as one of the most influential figures in the fashion industry. Widely recognized during this period as the worlds most influential fashion illustrator, Antonios work took on a deeper, more sculptural dimension in the 80s. For the last decade of his life, Antonio and Juan returned to New York City. The late photographer and illustrator Antonio Lopez is widely regarded as one. His artworks appeared in leading international publications including Vogue, Elle and Marie Claire, and campaigns for iconic New York brands such as Bloomingdale’s, Saks Fifth Avenue and Nordstrom and brought to life the designs of seminal fashion houses such as Versace, Missoni, Armani and more. Best known for dazzling illustrations in Womens Wear Daily, Vogue, the New York Times, Interview, and for high fashion labels, Antonio Lopez (1943-1987) was a force majeur in the fashion world for three decades. His career entered a new phase of global visibility. The first complete monograph on Antonio Lopez, the influential Warholian fashion illustrator of the 1960s, 70s, and 80s. Yearning for a creative freedom that he felt was unattainable in the United States, Antonio and Juan relocated to Paris in 1970. Widely recognized during this period as the worlds most influential fashion illustrator, Antonios work took on a deeper, more sculptural dimension in the. His unusual compositions, vibrant use of colour, collage, and off-beat models paved the way for a radical new visual vocabulary that had yet to hit the mainstream media. Antonio rose to prominence whilst at university in the 1960s, illustrating fashions for Women’s Wear Daily and The New York Times. ![]() Born in Puerto Rico and raised in New York, Antonio attended the Fashion Institute of Technology where he met and began his life-long creative collaboration with fellow artist Juan Ramos (b. He has chapters about media education in Media Literacy: A Reader Youth Media, International Perspectives on Youth Media: Cultures of Production and Education, UNESCO 2015 Yearbook Media and Information Literacy and Intercultural Dialog, Ecopedagogy of Environmental Communication, Popular Culture and the Austerity Myth: Hard Times Today, International Handbook of Media Literacy, The International Encyclopedia of Media Literacy, and The Handbook on Media Education Research and a section in the MacArthur Foundation series, Digital Media Learning.One of the foremost illustrators of the twentieth century, Antonio Lopez remains a highly regarded and influential figure in the world of art and fashion. We had to sort of come up with a summary of Antonio's. During the 1960s and 1970s, he revolutionized the world of fashion magazines. He has essays in several popular culture books, including Travelers Tales: Cuba, In Search of Adventure, Towards 2013, and The End of Money. That tagline is the subtitle of a tome by Roger and Mauricio Padilha, published by Rizzoli in September. ![]() He was an arts writer for Santa Fe’s daily newspapers, The New Mexican and the Albuquerque Journal North. López’s background in print journalism includes writing for LA Weekly, Frontera, Hispanic Magazine, Urban Latino, Southwest Art, El Andar, In These Times, New Mexico Magazine, Native Peoples, Tricycle and Punk Planet. ![]()
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